Thursday, April 21, 2011

Is that not the cutest picture of a baby checking out the action?

The March 24, 2011 Boston Globe Sunday magazize featured a terrific article on the resurgence of knitting, sewing and handcrafts. The photos of the shops were bright and vibrant. I misplaced my copy of the article and had to make due with this photo, which is not nearly as bright and colorful as the original, but the sweet baby makes up for the lack of intense color. The article reported on the growing trend of do-it-yourself handicraft boutiques and interest in all things hand-made and the shift of today's generation away from the 70's anti-hand-craft woman's work to the pride of home/hand made.

People are beginning to realize the importance of creating for yourself as our world becomes increasingly high-tech, digital and faster and faster and faster. The slow movement is a terrific counterpart to the fast-paced 24-7 world we live in today. I love the slow, methodical work of knitting and stitching; it is relaxing and satisfying. Hurrah for hand work. A fitting sentiment for earth day - getting back to basics - do it yourself kind of activities - slowing down - enjoying today as it is - keeping our world alive.

If you are in the Boston area, check out the knitting shops below.

J. P. Knit & Stitch - Jamaica Plain

Gather Here - Cambridge "stitch lounge"

Stitch House - Dorchester

Hipstitch - Newtonville

Craftland School of Craft - Providence


Post Script:
Here is part of an interesting interview with Lisa Borgnes Giramonti of A Bloomsbury Life - this excerpt dovetails with my comments on the hand-craft arts or "home-arts". I did a post on Lisa last year and featured her wonderful needlepoint tapestries that are very funny and creative - click here.

You create modern, witty needlepoint art (a phrase many, who haven’t seen your work, may consider an oxymoron.) What drew you to this medium? I particularly love your piece “Perky Boobies;” do you think that we are returning to an appreciation of the “home arts” like entertaining, embroidery and gardening?

Oh, Sariah, I hope so. I think this recession has forced us all to turn inward and to realize that the It bag we all had to have five years ago is a hollow substitute for the pleasures of a meaningful life. In the last year, I have been much more conscious of living large on a small scale. Friends come over, we cook, we entertain, we talk, we laugh and we have a deep appreciation for each other’s company.

In terms of my textile work, my embroideries and postmodern samplers are a compulsion; I can’t not create them. My mother and grandmother both embroidered, and I grew up watching them, but they always worked from kits and that never appealed to me. When I saw the Bayeux Tapestry, I had a sudden epiphany that I needed to embroider MY life and my words instead of someone else’s. And that’s what I’ve done.

"Purly Wurly Takes a Picture," 1998

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