
You create modern, witty needlepoint art (a phrase many, who haven’t seen your work, may consider an oxymoron.) What drew you to this medium? I particularly love your piece “Perky Boobies;” do you think that we are returning to an appreciation of the “home arts” like entertaining, embroidery and gardening?
Oh, Sariah, I hope so. I think this recession has forced us all to turn inward and to realize that the It bag we all had to have five years ago is a hollow substitute for the pleasures of a meaningful life. In the last year, I have been much more conscious of living large on a small scale. Friends come over, we cook, we entertain, we talk, we laugh and we have a deep appreciation for each other’s company.
In terms of my textile work, my embroideries and postmodern samplers are a compulsion; I can’t not create them. My mother and grandmother both embroidered, and I grew up watching them, but they always worked from kits and that never appealed to me. When I saw the Bayeux Tapestry, I had a sudden epiphany that I needed to embroider MY life and my words instead of someone else’s. And that’s what I’ve done.